Nadeem–Shravan were among the best music chiefs of the 1990s until the mid 2000s. They have the solid dependence of Hindustani music in their arrangements and were the main authors amid the 1990s and 2000s who depended intensely on three specific instruments: the bansuri, the sitar and the shehnai in the majority of their melodies. By utilizing these instruments as a part of a present day path without separating them from their unique esteem, their commitment is exceptional contrasted with some rising music chiefs developing another music style starting in the mid-1990s. Their most generally included and most loved vocalists are "Trimurty" Kumar Sanu, Alka Yagnik, Udit Narayan yet other Hindi playback artists like Anuradha Paudwal, Kavita Krishnamurthy, Sadhana Sargam, Jaspinder Narula, K. S. Chithra, SP Balasubramanyam, Hariharan, Suresh Wadkar, Pankaj Udhas, Mohammad Aziz, Sudesh Bhosle, Shailendra Singh, Shabbir Kumar, Nitin Mukesh, Roop Kumar Rathod, Vinod Rathod, Abhijeet, Sonu Nigam, Shaan, KK, Gurdas Maan, Shankar Mahadevan, Babul Supriyo, Manhar Udhas, Bali Brahmbhatt, Jolly Mukherjee, Sapna Mukherjee, Anwar, numerous others have sung under their cudgel. Veteran artist Mohd. Rafi likewise sang for them in their film Dangal. Evergreen artists Lata Mangeshkar and Asha Bhonsle additionally sang in couple of collections for the team.  

 

The relationship of Nadeem Saifi and Shravan goes back to 1972 when they met one another at a capacity. Their first film task was Dangal, a Bhojpuri motion picture in 1979. Their first Hindi motion picture task was Maine Jeena Seekh Liya in 1981 sung by Amit kumar . They got three major movies; IlaakaAmit Kumar and Asha, Hisaab Khoon Ka1 tune sung By Amit Kumar and Lashkar. In 1985, the twosome created music for a business venture called Star Ten. Ten Hindi performers (Mithun, Jackie Shroff, Anil Kapoor, Sachin, Danny, Vijendra, Sulakshana Pandit, and so forth.) sang a few melodies with verses by Anwar Saagar.  

 

Aashiqui (1990) brought Nadeem–Shravan into the spotlight. Gulshan Kumar offered them the reprieve . Their prosperity proceeded with Saajan, Dil Hai Ki Manta Nahin, Sadak, Sainik, Raja, Dilwale, Raja Hindustani and Phool Aur Kaante. Whether it was "Chehra Kya Dekhte Ho" (Salaami), "Adayein Bhi Hain" (Dil Hai Ke Manta Nahin) "Sochenge Tumhe Pyar" (Deewana), "Tujhe Na Dekhu Toh Chain" (Rang), they all had the particular stamp of Nadeem Shravan.  

 

They have made various types out of music, be it quick track, nostalgic or move numbers. Yet, their strong point was dependably tune. The vast majority of their structures were motivated from outdated ghazals, westerns and different outlines.  

 

At the point when Pardes soundtrack was discharged, the tracks had diverse assortments of melodies; tunes ("I Love My India" and "Meri Mehbooba"), love tunes ("Do Dil Mil Rahe Hain") and qawwali ("Nahin Hona Tha)" pop ("My first day in America"), torment ("Ye Dil Deewana"). Planet Bollywood began the audit by saying, "The music for Pardes is Nadeem-Shravan's best ever."  

 

They have worked with lyricists such as Anand Bakshi, Faaiz Anwar, Hasrat Jaipuri, Rani Malik and numerous others. When they touched base on the music scene, Laxmikant-Pyarelal and Anand Milind were at the top. In any case, in this manner their hard worked paid and they gave different hits consecutively.  

 

Their melodies frequently contain Jhankaar, Conga, Bongos, Electronic drum combination thumps. They have demanded adhering to lyricist Sameer and male vocalists Kumar Sanu, Udit Narayan and female artist Alka Yagnik for the greater part of their arrangements.  

 

Aashiqui has been evaluated the fourth best soundtrack ever via Planet Bollywood on their "100 Greatest Bollywood Soundtracks". Others soundtrack by them incorporate Saajan (16), Sadak (51), Raja Hindustani (56), Dhadkan (73), Deewana (79).  

 

In the wake of being inert for at some point, Nadeem–Shravan made a rebound of sorts with movies such as Yeh Dil Aashiqanaa, Ek Rishta, Kasoor, Hum Ho Gaye Aapke, Raaz, Dil Hai Tumhaara, Qayamat, Hungama, Andaaz, Bewafaa, Tumsa Nahi Dekha, Barsaat, Dosti and Do Knot Disturb.  

 

Nadeem stayed in the UK and in spite of the separation in the middle of England and India, he and Shravan kept on making music together. Be that as it may, they later split after Dosti.  

 

In 2005, the couple split. Dosti was their last film together. Nadeem began his own particular fragrance and sack organization, additionally included in solo arrangements. Shravan was uninterested in proceeding with his music, and rather centered around his children's music vocations and film creation. Another reason refered to is likely the separation between the two. In a meeting, Nadeem expressed that there is not any contention in the middle of him and Shravan. In late 2013 it was reported that the team would cooperate again on the spin-off of Deewana yet the later split because of individual clashes again as an aftereffect of which Nadeem chose to return as a performance author for Ishq Forever in 2015.  

 

In 2016, Nadeem Saifi made his rebound with lyricist Sameer in the film Ishq Forever. He has part with his accomplice Shravan and took a shot at the film as a performance author. The film highlights ten tunes and he would like to reproduce his time through his music.